Monthly Archive for July, 2008Page 3 of 6

Opposition to Gay Marriage in CA

Dave Weigel of Reason the reason that the anti-gay marriage amendment is going to fail in November. This is great news, especially the survey showing humanity up 51-42.

As my old readers know, I'm a big proponent of equality in all its forms, and cannot stand any argument saying gay marriage shouldn't exist. I'm so proud that California has become the second state in the nation to allow it, and will be devastated if the amendment passes this November. It looks like it will, but this far off nothing is certain.

Except this one truth: history is progressive. Eventually, whether it's 10, 20, or 100 years from now, people will look at gay marriage like any other civil rights issue, and they will ask, "How could those people deny them their right?" I'm proud to be on the right side of this issue, and I hope you can say the same.

SLAC ceasing to exist?

Via Zapper Z comes the news that the DOE wants to rename SLAC! The DOE wants the names of the national labs to be trademarked, but Stanford won't let them trademark anything with "Stanford" in it (which is why, I believe, SRI International stopped being an acronym for "Stanford Research Institute").

I mentioned this to my Post Doc, whose husband works at SLAC, and apparently they're having some kind of naming contest (whether real or fake is unknown to me), and NLC, short for National Light Center (or something like that), because SLAC is starting to be used primarily as a light source, is leading the pack (NLC was the name for one of the precursors of the ILC, so it's supposed to be a joke).

Anyway, this is just silly, I think. Lots of bureaucratic silliness, which I find incredibly annoying. I hope this rename doesn't happen, but if it does the new name had better be good.

SLAC ceasing to exist?

Via Zapper Z comes the news that the DOE wants to rename SLAC! The DOE wants the names of the national labs to be trademarked, but Stanford won't let them trademark anything with "Stanford" in it (which is why, I believe, SRI International stopped being an acronym for "Stanford Research Institute").

I mentioned this to my Post Doc, whose husband works at SLAC, and apparently they're having some kind of naming contest (whether real or fake is unknown to me), and NLC, short for National Light Center (or something like that), because SLAC is starting to be used primarily as a light source, is leading the pack (NLC was the name for one of the precursors of the ILC, so it's supposed to be a joke).

Anyway, this is just silly, I think. Lots of bureaucratic silliness, which I find incredibly annoying. I hope this rename doesn't happen, but if it does the new name had better be good.

People Found Who Don’t Use Numbers: I cry bullshit

I'm incredibly dubious about this: People Found Who Don't Use Numbers, in part because you hear these claims made about remote tribes all the time and they usually end up being wrong, and also because I've read about Piraha before. Their language is really odd and (supposedly) simple, but unless things have changed dramatically since the papers I read, it's quite controversial. Literally one anthropologist was saying one thing and another was directly contradicting him. I think it's largely a problem of learning these languages that have no bilingual speakers, it's difficult to do. Granted, but that's not my only rationale.

Wikipedia backs up the story, but I'm still suspicious. Anthropological claims like this one are just of the type where I think they should be heavily scrutinized. For one they smack of cultural hubris, a kind of "they're so primitive" attitude. I don't actually think anyone believes that, but it's the kind of thing that's very ingrained into Western culture, and that kind of bias (like racism) is damn near impossibly to overcome at a subconscious level. Secondly, it's just so easy to get them wrong.

In Steven Pinker's The Stuff of Thought he describes a group descended from the Mayans called the Tzeltal, who live on the side of a mountain and generally refer to things as being "up the slope" or "down the slope". A linguist performed an experiment on them to see if this affected how they think (for the details see around p. 140 in the book, I don't think the details are important) and concluded that it did. In short, they "thought" in a geocentric frame, whereas most Westerners use an egocentric (axes centered on your body) or an object-centered frame (axes relative to objects near you). Anyway, another set of anthropologists (or perhaps linguists) performed a second, more careful experiment, and found that they, in fact, can use another frame of reference.

Actually, in this same chapter Pinker deals with the Piraha (they're quite famous), and thoroughly skewers the Sapir-Worf hypothesis (which is tangential to this anyway). For the full discussion see his book (I'm far too tired to transcribe it, and it's a fantastic book anyway).

But the point described in the SciAm podcast (and in the thousand articles I've seen on this today) seems to be a bit absurd to me. If these peoples don't, in the course of their daily lives, need to count anything, then why would they develop a precise language for counting?

And the claim that they "don't use numbers" is probably misleading, since there are other ways to keep track of reasonable numbers of objects. If you're a teacher on a field trip, you could either repeatedly count your kids and notice you have 23 instead of 24, or you could just notice that Billy is missing (that's how Pinker described it, keeping track of individuals one by one rather than keeping track of the number of individuals). There's no particular reason one of these systems is better than the other, until you start to deal with large numbers or complex operations. To expect an individual who doesn't (whether a Piraha or an American) to be able to just spontaneously start to do it is simply absurd, like testing the average American on calculus. They probably never learned it, they don't ever need to do it, so why on earth would we expect them to be able to?

The entire situation just strikes me as cultural elitism, like a kind of freak show, "Oh my god, how could they not have numbers!" Maybe that's not how people are actually seeing it, but that's how it seems, and I think it's absurd (that last line is SciAm just seems so incredibly condescending).

But these newspaper-level articles about indigenous peoples always infuriate me. Although, newspaper-level articles about any science do that, since they always screw it up somehow.

So I'm dubious about whether this experiment proved what they claim it did, even if it did it's hardly useful or meaningful, and I'm depressed by the coverage. All in all, a great story.

People Found Who Don’t Use Numbers: I cry bullshit

I'm incredibly dubious about this: People Found Who Don't Use Numbers, in part because you hear these claims made about remote tribes all the time and they usually end up being wrong, and also because I've read about Piraha before. Their language is really odd and (supposedly) simple, but unless things have changed dramatically since the papers I read, it's quite controversial. Literally one anthropologist was saying one thing and another was directly contradicting him. I think it's largely a problem of learning these languages that have no bilingual speakers, it's difficult to do. Granted, but that's not my only rationale.

Wikipedia backs up the story, but I'm still suspicious. Anthropological claims like this one are just of the type where I think they should be heavily scrutinized. For one they smack of cultural hubris, a kind of "they're so primitive" attitude. I don't actually think anyone believes that, but it's the kind of thing that's very ingrained into Western culture, and that kind of bias (like racism) is damn near impossibly to overcome at a subconscious level. Secondly, it's just so easy to get them wrong.

In Steven Pinker's The Stuff of Thought he describes a group descended from the Mayans called the Tzeltal, who live on the side of a mountain and generally refer to things as being "up the slope" or "down the slope". A linguist performed an experiment on them to see if this affected how they think (for the details see around p. 140 in the book, I don't think the details are important) and concluded that it did. In short, they "thought" in a geocentric frame, whereas most Westerners use an egocentric (axes centered on your body) or an object-centered frame (axes relative to objects near you). Anyway, another set of anthropologists (or perhaps linguists) performed a second, more careful experiment, and found that they, in fact, can use another frame of reference.

Actually, in this same chapter Pinker deals with the Piraha (they're quite famous), and thoroughly skewers the Sapir-Worf hypothesis (which is tangential to this anyway). For the full discussion see his book (I'm far too tired to transcribe it, and it's a fantastic book anyway).

But the point described in the SciAm podcast (and in the thousand articles I've seen on this today) seems to be a bit absurd to me. If these peoples don't, in the course of their daily lives, need to count anything, then why would they develop a precise language for counting?

And the claim that they "don't use numbers" is probably misleading, since there are other ways to keep track of reasonable numbers of objects. If you're a teacher on a field trip, you could either repeatedly count your kids and notice you have 23 instead of 24, or you could just notice that Billy is missing (that's how Pinker described it, keeping track of individuals one by one rather than keeping track of the number of individuals). There's no particular reason one of these systems is better than the other, until you start to deal with large numbers or complex operations. To expect an individual who doesn't (whether a Piraha or an American) to be able to just spontaneously start to do it is simply absurd, like testing the average American on calculus. They probably never learned it, they don't ever need to do it, so why on earth would we expect them to be able to?

The entire situation just strikes me as cultural elitism, like a kind of freak show, "Oh my god, how could they not have numbers!" Maybe that's not how people are actually seeing it, but that's how it seems, and I think it's absurd (that last line is SciAm just seems so incredibly condescending).

But these newspaper-level articles about indigenous peoples always infuriate me. Although, newspaper-level articles about any science do that, since they always screw it up somehow.

So I'm dubious about whether this experiment proved what they claim it did, even if it did it's hardly useful or meaningful, and I'm depressed by the coverage. All in all, a great story.

Obama and Iraq

If you happen to think Obama has shifted position on Iraq, read this. It also does a good job skewering the right's attacks on his nonexistent repositioning as yet another attempt to paint the democrat as a flip-flopper, simply because they've got nothing else. I guess it's a Rovian tactic of attacking someone's strongest point.

Obama and Iraq

If you happen to think Obama has shifted position on Iraq, read this. It also does a good job skewering the right's attacks on his nonexistent repositioning as yet another attempt to paint the democrat as a flip-flopper, simply because they've got nothing else. I guess it's a Rovian tactic of attacking someone's strongest point.

Flintstones Chewables

I assume the road to apostasy is nearly opposite as it is for the convert who might have had abrupt, life-changing epiphanies. For the somewhat-soon-to-be unbeliever, “Ah-ha” moments leading to deconversion are more like “Ah-ha” weeks or months starting off with a queasy unease that maybe all is not as it really should be.

I had an unsettling experience 23 summers ago at Music In The Rockies. Contemporary Christian Music was just starting to spread its wings. Amy Grant was unknown outside Christian circles. Jesus Bands like Petra and the Rez band showed that Christians could rock. Phil Keaggy showed that Christians could jam with some talent, and Steve Taylor showed that one could mimic Thomas Dolby and Devo and get played on MTV while speaking out against the Christian establishment demonstrating through such rebel music a deeper, true meaning of the Gospels.

And there I was. I was into all the records. I even read Kerry Livgren’s autobiography of his conversion to Christianity (and tried to convince myself that Kansas was still a decent band without their original singer, Steve Walsh, who left because he couldn’t take the religion that was seeping into the tunes). I built a couple electric guitars and played in a couple high school bands, jamming for Jesus. I interned at the local Christian radio station, KLTT (aka “K-Light. The Light of the Rockies”). I helped out at a bit at Jerry Nelson’s recording studio, Clarion, which makes accompaniment tracks for all those Sunday karaokers. It was my goal to perform, record, and produce Christian music, so at 18, as part of all this foot-wetting, I ensconced myself in the beautiful rockies amidst some thousand or so other would be musical proselytizers for a week of seminars. (Here is my picture with Phil Keaggy and Steve Taylor taken at the seminar).





And therein lies the problem: Music and Proselytizing. Christian rock 'n roll serves one of two purposes: 1) It provides a clean rock 'n roll venue for Christians, and 2) it serves as a device for proselytizing by hooking unsuspecting heathens with a “good beat” and then preaching to them.

Regarding #1, my Christian upbringing taught me that rock 'n roll was evil from several fronts. The rhythms were from African voodoo rituals. The screeching is rebellion against good (i.e. classical) music. The lyrics implore Devil worship, sex, and drugs and the mesmerizing jamming will make you succumb. Of course, it was not enough that the lyrics should explicitly say these things, but should you listen to a record backward, then you could hear the subliminal (or as George Bush would say, “subliminable”) messages being presented. Rock 'n roll was bad shit.

(And hence the attraction. We love to flirt with fire, don’t we?)

However, let’s just write off #1 as nonsense. Regarding voodoo: There is no evidence that Bo Diddley was about doing crazy things with leftovers of chicken bones. Regarding screeching: Yes, it was rebellion against classical music. Is that evil? Regarding the lyrics: Is there any terrible theme not already covered in opera? Regarding the beat: Yes, you may want to dance, but are these dances any more seductive than other dance forms? If so, is it the music or the person gyrating a belly button to blame? Regarding drugs and the Devil: Aren’t these just marketing ploys ironically promulgated by conservative parents enabling a simple avenue for youngster rebellion? Regarding playing albums backward: I can’t even understand half of these lyrics when played forward! How is my subconscious going to get them backward?

So, for all intents and purposes, we can write off the evils of rock 'n roll. Well sorta. Should Christians enjoy such worldly pleasures?

Regarding #2, there was something quite pure about meeting these heathens on their level and speaking to them in their language. How else might they hear the Good News?

This was my naivete going into the seminar. I heard sessions on how to structure a song after such and such a secular performer. I heard how to write lyrics about love without using the pronouns “he/she/his/hers” so that the song could be interpreted at one level as between you and a spouse or at another level as being between you and God. (The "agape" love). I was told to disguise explicit declarations of belief and conviction and employ poetic, generic feelings to obtain a broader market.

And that’s my problem. I loathe marketing. If my kids want to rebel against me. They’ll become marketers.

In my week at the seminar, I did not hear anyone talk about becoming a better musician. It was not about the music at all, and that is what was so uninspiring. Music, at it’s peak, is a very personal communication with the performer and the audience.

To be sure, the secular realm is big on hype and marketing. It’s filled with lies, too. Did Johnny Cash really shoot a man just to watch him die? Puh-lease! And why were those middle-class white boys in Seattle in the early 90s so angry about the American dream? C'mon! The secular world now has American Idols and mega mania. Lots of scripted show.

The thing is/was, I expected more honesty from the Christian world. Heck, it worked for Bach! But hit that seek button on your radio and within 2 seconds of scanning a station, you can tell if you’ve landed on a Christian station, even if there is no singing. It’s in the mix. It’s in the timbre. It’s that fakeness that comes blaring through -- the dishonesty of trying to sell something so naively and pretentiously. It’s no wonder that this year two finalists of American Idol will host the competition for best Christian Idol at the Music Seminar in the Rockies.

Not that I went on to become a much better musician, but after my week there, I began to outgrow Flintstones chewables.

Flintstones Chewables

I assume the road to apostasy is nearly opposite as it is for the convert who might have had abrupt, life-changing epiphanies. For the somewhat-soon-to-be unbeliever, “Ah-ha” moments leading to deconversion are more like “Ah-ha” weeks or months starting off with a queasy unease that maybe all is not as it really should be.

I had an unsettling experience 23 summers ago at Music In The Rockies. Contemporary Christian Music was just starting to spread its wings. Amy Grant was unknown outside Christian circles. Jesus Bands like Petra and the Rez band showed that Christians could rock. Phil Keaggy showed that Christians could jam with some talent, and Steve Taylor showed that one could mimic Thomas Dolby and Devo and get played on MTV while speaking out against the Christian establishment demonstrating through such rebel music a deeper, true meaning of the Gospels.

And there I was. I was into all the records. I even read Kerry Livgren’s autobiography of his conversion to Christianity (and tried to convince myself that Kansas was still a decent band without their original singer, Steve Walsh, who left because he couldn’t take the religion that was seeping into the tunes). I built a couple electric guitars and played in a couple high school bands, jamming for Jesus. I interned at the local Christian radio station, KLTT (aka “K-Light. The Light of the Rockies”). I helped out at a bit at Jerry Nelson’s recording studio, Clarion, which makes accompaniment tracks for all those Sunday karaokers. It was my goal to perform, record, and produce Christian music, so at 18, as part of all this foot-wetting, I ensconced myself in the beautiful rockies amidst some thousand or so other would be musical proselytizers for a week of seminars. (Here is my picture with Phil Keaggy and Steve Taylor taken at the seminar).





And therein lies the problem: Music and Proselytizing. Christian rock 'n roll serves one of two purposes: 1) It provides a clean rock 'n roll venue for Christians, and 2) it serves as a device for proselytizing by hooking unsuspecting heathens with a “good beat” and then preaching to them.

Regarding #1, my Christian upbringing taught me that rock 'n roll was evil from several fronts. The rhythms were from African voodoo rituals. The screeching is rebellion against good (i.e. classical) music. The lyrics implore Devil worship, sex, and drugs and the mesmerizing jamming will make you succumb. Of course, it was not enough that the lyrics should explicitly say these things, but should you listen to a record backward, then you could hear the subliminal (or as George Bush would say, “subliminable”) messages being presented. Rock 'n roll was bad shit.

(And hence the attraction. We love to flirt with fire, don’t we?)

However, let’s just write off #1 as nonsense. Regarding voodoo: There is no evidence that Bo Diddley was about doing crazy things with leftovers of chicken bones. Regarding screeching: Yes, it was rebellion against classical music. Is that evil? Regarding the lyrics: Is there any terrible theme not already covered in opera? Regarding the beat: Yes, you may want to dance, but are these dances any more seductive than other dance forms? If so, is it the music or the person gyrating a belly button to blame? Regarding drugs and the Devil: Aren’t these just marketing ploys ironically promulgated by conservative parents enabling a simple avenue for youngster rebellion? Regarding playing albums backward: I can’t even understand half of these lyrics when played forward! How is my subconscious going to get them backward?

So, for all intents and purposes, we can write off the evils of rock 'n roll. Well sorta. Should Christians enjoy such worldly pleasures?

Regarding #2, there was something quite pure about meeting these heathens on their level and speaking to them in their language. How else might they hear the Good News?

This was my naivete going into the seminar. I heard sessions on how to structure a song after such and such a secular performer. I heard how to write lyrics about love without using the pronouns “he/she/his/hers” so that the song could be interpreted at one level as between you and a spouse or at another level as being between you and God. (The "agape" love). I was told to disguise explicit declarations of belief and conviction and employ poetic, generic feelings to obtain a broader market.

And that’s my problem. I loathe marketing. If my kids want to rebel against me. They’ll become marketers.

In my week at the seminar, I did not hear anyone talk about becoming a better musician. It was not about the music at all, and that is what was so uninspiring. Music, at it’s peak, is a very personal communication with the performer and the audience.

To be sure, the secular realm is big on hype and marketing. It’s filled with lies, too. Did Johnny Cash really shoot a man just to watch him die? Puh-lease! And why were those middle-class white boys in Seattle in the early 90s so angry about the American dream? C'mon! The secular world now has American Idols and mega mania. Lots of scripted show.

The thing is/was, I expected more honesty from the Christian world. Heck, it worked for Bach! But hit that seek button on your radio and within 2 seconds of scanning a station, you can tell if you’ve landed on a Christian station, even if there is no singing. It’s in the mix. It’s in the timbre. It’s that fakeness that comes blaring through -- the dishonesty of trying to sell something so naively and pretentiously. It’s no wonder that this year two finalists of American Idol will host the competition for best Christian Idol at the Music Seminar in the Rockies.

Not that I went on to become a much better musician, but after my week there, I began to outgrow Flintstones chewables.

D’Souza’s Ironic Modesty

Dinesh D'Souza is worried about his modesty:
Modesty is one of my great virtues, and that is why I am always worried when people praise me too much.
I wouldn't worry- he can take care of that himself.
This past weekend I debated atheist Christopher Hitchens... America's leading atheist and... unbelief's best debater.

...when the debate was finished the moderator called for a vote on "who won the debate." By a show of hands, I did! ...Hitchens burst in to say that he would have lost anyway! Later several atheists came up to me and said that although they were rooting for Hitchens, they had voted for me because they felt I had prevailed decisively.

...Michael Shermer... commented that with the passing of William F. Buckley, I am one of the leading defenders of conservatism and freedom in America. He also added, "Whatever your beliefs, you should read Dinesh's book What's So Great About Christianity. It is the best defense of Christianity that has ever been published."

In addition to dealing with atheist accolades, I also have to contend with the same from fellow conservatives and Christians.

...a review of my book [titled] "C.S. Lewis, Move Over," [says] ..."Dinesh D'Souza stakes his claim as one of the great Christian apologists." The review ends thus: "In any case, D'Souza has written a book that both G.K. Chesterton and C.S. Lewis would have appreciated and that perhaps even Billy Graham and Pope Benedict XVI could agree is a masterpiece of modern apologetical writing destined to set the standard for years to come."

With comments like this, I am in serious danger of getting a big head and losing my reputation for self-effacing modesty.
...and the surface of the sun is in danger of getting too hot to handle.

D’Souza’s Ironic Modesty

Dinesh D'Souza is worried about his modesty:
Modesty is one of my great virtues, and that is why I am always worried when people praise me too much.
I wouldn't worry- he can take care of that himself.
This past weekend I debated atheist Christopher Hitchens... America's leading atheist and... unbelief's best debater.

...when the debate was finished the moderator called for a vote on "who won the debate." By a show of hands, I did! ...Hitchens burst in to say that he would have lost anyway! Later several atheists came up to me and said that although they were rooting for Hitchens, they had voted for me because they felt I had prevailed decisively.

...Michael Shermer... commented that with the passing of William F. Buckley, I am one of the leading defenders of conservatism and freedom in America. He also added, "Whatever your beliefs, you should read Dinesh's book What's So Great About Christianity. It is the best defense of Christianity that has ever been published."

In addition to dealing with atheist accolades, I also have to contend with the same from fellow conservatives and Christians.

...a review of my book [titled] "C.S. Lewis, Move Over," [says] ..."Dinesh D'Souza stakes his claim as one of the great Christian apologists." The review ends thus: "In any case, D'Souza has written a book that both G.K. Chesterton and C.S. Lewis would have appreciated and that perhaps even Billy Graham and Pope Benedict XVI could agree is a masterpiece of modern apologetical writing destined to set the standard for years to come."

With comments like this, I am in serious danger of getting a big head and losing my reputation for self-effacing modesty.
...and the surface of the sun is in danger of getting too hot to handle.

The Politics of Fear -or- America Celebrates We Can’t Take a Joke Day, courtesy of The New Yorker

In case you've spent the last 24 hours under a rock, below you will find "The Politics of Fear," the upcoming New Yorker cover by Barry Blitt.


In a display of monumental disingenuity, some members of the national news media are pretending not to recognize this image for what it is: a tongue-in-cheek depiction of certain idiotic beliefs currently bouncing around the right-wing echo chamber. Specifically: that Barack Obama is a Muslim (Mr. Obama shown sporting a dishdasha and taqiyah); that Michelle Obama is a Black radical who rails against "whitey" (Ms. Obama depicted with Afro); that the Obamas' celebratory fist-bump on June 3rd in St. Paul was a "terrorist fist-jab" (fist-bump featured at center of image / Ms. Obama wearing camouflage pants, combat boots, Kalashnikov, copious ammunition); that Obama sympathizes with al Qaeda (portrait of Osama bin Laden); and that the Obamas are unpatriotic (Stars and Stripes burning in fireplace). The blindingly obvious--and profoundly sad--message of this cartoon is as follows: some Americans are so mind-bogglingly bigoted and uninformed that they believe this idiocy.

Who knew that quatorze juillet was also We Can't Take a Joke Day in America? Reading news, blogs, and comment threads throughout the day, I have become increasingly despondent at the the vigor with which my fellow citizens insist on demonstrating their collective lack of any sense of humor. To rescue myself from this despondency, I have attempted to distill their commentary to four key objections, which I will now endeavor to answer as self-appointed defender of Mr. Blitt and the magazine.

1. How could The New Yorker make such libellous implications about the Obamas?

As stated above, where this objection comes from members of the national news media, it is surely disingenuous. I find it inconceivable that one could work for a media organization of national scope and be unaware of The New Yorker's editorial orientation. If you are a left-wing journalist, you probably read The New Yorker. If you are a right wing journalist, The New Yorker is well-known enemy territory. Is it remotely possible that this fiercely intellectual, resolutely pro-Obama publication would not only tack 180 degrees but also embrace the lunatic slurs of the Right's imbecile caucus? The image is satire, and anyone from Rush Limbaugh to Amy Goodman pretending not to understand that is insulting our intelligence.

Where this objection comes from someone else, that person is clearly unfamiliar with The New Yorker--not in itself a crime--but also rather dense: if we cannot hear the screams of "satire" as Old Glory burns in the Oval Office fireplace beneath a portrait of bin Laden, we are a nation struck deaf indeed with literality.

2. Okay, I get it, but lots of people won't, and so it will just fan the very rumors it is mocking.

I don't buy this. If there is still someone out there who a) has never heard that the Obamas are America-hating Black separatist Muslim terrorists, but b) would believe as much if he heard it--is it really very likely that the cover of The New Yorker will provide his first exposure to those ideas? I'm guessing that such fellows do not figure heavily in The New Yorker's subscriber base. Of course, the image has been disseminated widely in both mainstream media and the blogosphere, but anyone frequenting these outlets already has access to either the rumors, the truth, or both.

3. This is so racist.

No, it's not racist, and it's not even ironic-making-fun-of-racism-racism-that's-actually-still-racist. Given that Muslims can be of any race, the only racially specific elements of this image are Michelle Obama's Afro and, arguably, the fist-bump. But those elements are not included to say "ha ha, look at Black people's funny hair and greeting rituals." They're not even included to say "ha ha, look at the stereotypes White people have about Black people's hair and greeting rituals." Rather, those elements allude to specific accusations leveled at the Obamas--the Afro evoking a particular "radical Black activist" image cultivated by, e.g., Black Panther Angela Davis, and the fist-bump of course referring to the pair's much-discussed Minnesota greeting. The right's coöption of each concept is fair game for satire, and it's not clear how Blitt could have depicted them in a non-racially specific way.

4. I get it, but the fact that people are bigoted idiots is not funny; it's pathetic.

It is pathetic, and the most pathetic part of it is that we live in a society where almost no one, including Barack Obama, has the guts to stand up and say "shame on you, America, for making 'Muslim' into a slur" instead of "no, I swear to God I'm a Christian." But what makes life livable and humans interesting is our capacity to weep at the Holocaust Museum one day and scream with laughter at The Producers the next. If you don't believe that something can be both pathetic and funny, I will direct you to a syllabus beginning with Aristophanes, and continuing through Shakespeare, Chaplin, Brecht, Emmet Kelly, and The Sopranos. If you've completed my assignments and still object to this magazine cover, I will present you with the complete Family Circus and we will just have to agree to disagree about the nature of humor.

The Politics of Fear -or- America Celebrates We Can’t Take a Joke Day, courtesy of The New Yorker

In case you've spent the last 24 hours under a rock, below you will find "The Politics of Fear," the upcoming New Yorker cover by Barry Blitt.


In a display of monumental disingenuity, some members of the national news media are pretending not to recognize this image for what it is: a tongue-in-cheek depiction of certain idiotic beliefs currently bouncing around the right-wing echo chamber. Specifically: that Barack Obama is a Muslim (Mr. Obama shown sporting a dishdasha and taqiyah); that Michelle Obama is a Black radical who rails against "whitey" (Ms. Obama depicted with Afro); that the Obamas' celebratory fist-bump on June 3rd in St. Paul was a "terrorist fist-jab" (fist-bump featured at center of image / Ms. Obama wearing camouflage pants, combat boots, Kalashnikov, copious ammunition); that Obama sympathizes with al Qaeda (portrait of Osama bin Laden); and that the Obamas are unpatriotic (Stars and Stripes burning in fireplace). The blindingly obvious--and profoundly sad--message of this cartoon is as follows: some Americans are so mind-bogglingly bigoted and uninformed that they believe this idiocy.

Who knew that quatorze juillet was also We Can't Take a Joke Day in America? Reading news, blogs, and comment threads throughout the day, I have become increasingly despondent at the the vigor with which my fellow citizens insist on demonstrating their collective lack of any sense of humor. To rescue myself from this despondency, I have attempted to distill their commentary to four key objections, which I will now endeavor to answer as self-appointed defender of Mr. Blitt and the magazine.

1. How could The New Yorker make such libellous implications about the Obamas?

As stated above, where this objection comes from members of the national news media, it is surely disingenuous. I find it inconceivable that one could work for a media organization of national scope and be unaware of The New Yorker's editorial orientation. If you are a left-wing journalist, you probably read The New Yorker. If you are a right wing journalist, The New Yorker is well-known enemy territory. Is it remotely possible that this fiercely intellectual, resolutely pro-Obama publication would not only tack 180 degrees but also embrace the lunatic slurs of the Right's imbecile caucus? The image is satire, and anyone from Rush Limbaugh to Amy Goodman pretending not to understand that is insulting our intelligence.

Where this objection comes from someone else, that person is clearly unfamiliar with The New Yorker--not in itself a crime--but also rather dense: if we cannot hear the screams of "satire" as Old Glory burns in the Oval Office fireplace beneath a portrait of bin Laden, we are a nation struck deaf indeed with literality.

2. Okay, I get it, but lots of people won't, and so it will just fan the very rumors it is mocking.

I don't buy this. If there is still someone out there who a) has never heard that the Obamas are America-hating Black separatist Muslim terrorists, but b) would believe as much if he heard it--is it really very likely that the cover of The New Yorker will provide his first exposure to those ideas? I'm guessing that such fellows do not figure heavily in The New Yorker's subscriber base. Of course, the image has been disseminated widely in both mainstream media and the blogosphere, but anyone frequenting these outlets already has access to either the rumors, the truth, or both.

3. This is so racist.

No, it's not racist, and it's not even ironic-making-fun-of-racism-racism-that's-actually-still-racist. Given that Muslims can be of any race, the only racially specific elements of this image are Michelle Obama's Afro and, arguably, the fist-bump. But those elements are not included to say "ha ha, look at Black people's funny hair and greeting rituals." They're not even included to say "ha ha, look at the stereotypes White people have about Black people's hair and greeting rituals." Rather, those elements allude to specific accusations leveled at the Obamas--the Afro evoking a particular "radical Black activist" image cultivated by, e.g., Black Panther Angela Davis, and the fist-bump of course referring to the pair's much-discussed Minnesota greeting. The right's coöption of each concept is fair game for satire, and it's not clear how Blitt could have depicted them in a non-racially specific way.

4. I get it, but the fact that people are bigoted idiots is not funny; it's pathetic.

It is pathetic, and the most pathetic part of it is that we live in a society where almost no one, including Barack Obama, has the guts to stand up and say "shame on you, America, for making 'Muslim' into a slur" instead of "no, I swear to God I'm a Christian." But what makes life livable and humans interesting is our capacity to weep at the Holocaust Museum one day and scream with laughter at The Producers the next. If you don't believe that something can be both pathetic and funny, I will direct you to a syllabus beginning with Aristophanes, and continuing through Shakespeare, Chaplin, Brecht, Emmet Kelly, and The Sopranos. If you've completed my assignments and still object to this magazine cover, I will present you with the complete Family Circus and we will just have to agree to disagree about the nature of humor.

Stuck on pins

Stuck on lapel pins, what should Obama wear on his lapel?

I know it's from the NYT, but it's easily the funniest thing I've read today.

Stuck on pins

Stuck on lapel pins, what should Obama wear on his lapel?

I know it's from the NYT, but it's easily the funniest thing I've read today.

It’s 3 AM, and John McCain needs to read an E-mail



I don't particularly think that being computer-savvy should be high on the list of qualifications for becoming President, but it is something to think about. And the parody of the 3 AM ad is priceless.